Clare Charnley: Podium

At this scale it can no longer raise you up above the others. Maybe it’s grown so small, so lightweight, so easily broken, that it’s lost the power to exhort us – to compete – to achieve.

 But maybe it’s grown small enough to enter our veins. 

ClareCharnley.com

Maud Faassen: Van de Druppel naar de Plas

Still from the performance,
Kijkduin, The Netherlands 2018 (26min 27)

Maud Faassen. Their art practice evolves around the concept of ’traces’. Traces which arise from changes and the presence of themselves and the cooperation time.
They search for this concept through performances and land art installations where natural materials such as clay and sand play a predominant role.

Tamara Jungnickel: untitled

Tamara Jungnickel
watercolour on paper, 2019.
86 x 61 mm
Regularly recurring themes in her work are man and nature and their mutual relationship. By means of silent stories, but without it being unambiguous what happens, she tries to depict a feeling, a situation, a desire, still and poetically.

Tamara Jungnickel (1968) graduated from the Royal Academy in The Hague, lives and works in Dordrecht.

www.tamarajungnickel.com

Ienke Kastelein: PINHOLE-speldenprik

Download PDF here:
prompt PINHOLE speldenprik signed IK

Ienke Kastelein is interested in perception and the senses. She is engaged in context and habitat. Hence walking and sitting have become essential research methods as well as performance practices. Public and interior space are conceived as the studio or the stage. Walking is approached as a performance in which participants are the audience.

Her approach can be perceived as scenography or dramaturgy of space. She embraces lightness and play. Her whole body of work is a research and a reflection on being present and presence itself.

IenkeKastelein.nl