Still from the performance,
Kijkduin, The Netherlands 2018 (26min 27)
Maud Faassen. Their art practice evolves around the concept of ’traces’. Traces which arise from changes and the presence of themselves and the cooperation time.
They search for this concept through performances and land art installations where natural materials such as clay and sand play a predominant role.
Tamara Jungnickel (1968) graduated from the Royal Academy in The Hague, lives and works in Dordrecht.
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prompt PINHOLE speldenprik signed IK
Ienke Kastelein is interested in perception and the senses. She is engaged in context and habitat. Hence walking and sitting have become essential research methods as well as performance practices. Public and interior space are conceived as the studio or the stage. Walking is approached as a performance in which participants are the audience.
Her approach can be perceived as scenography or dramaturgy of space. She embraces lightness and play. Her whole body of work is a research and a reflection on being present and presence itself.
Joshua Legallienne has made a limited run of postcards containing instructions to perform the work Zero-Material Performance. The artist will send the postcards via international mail to the first 25 people to respond to this form:
Zero-Material Performance is a phenomenological exploration of listening and sound creation using only the human body. The ears act as both the receiver and creator of sound. The work is not performed by the artist but instructions are given to willing participants in order for them to enact in a suitable location at any point in the future. The piece belongs to a collection of works that offer rich and diverse sonic experiences for everyday people and situations. Enacting the piece is an intimate and subjective experience, highlighting the beauty that listening as a practice can offer – even when conventional materials or methodologies for creating sound are absent. Zero-Material Performance takes the concept of immateriality to its logical end point: a sound work that exists only in the moment in which it is performed and needs only the hearing apparatus to function.
Synchronising tongue-clicking with the blinking of my eyes.
Video, sound, 8’00
(Please watch full screen with audio switched on)
The work of Frans van Lent is concept driven and minimal in approach. Through performative and sculptural methods, his practice focuses on human behaviour in the public realm and observing, processing and redefining the ordinary ways in which this is visible. He uses various methods, specifically chosen for each occasion: performance; photography, film and sound, descriptive texts.
